Fluted

The hanging hardware failed on this gilded age frame, causing it to fall to the floor.  The impact resulted in several areas of damaged and missing ornamentation. The frame was cleaned using a combination of aqueous and dry methods.   The lifting areas of finish and damaged areas of ornamentation weere consolidated using an archival adhesive.  The ornamentation loss were infilled, cast and selectively carved.

This 19th century frame arrived to us with several areas of loss and discolored overpaint. The remaining compo ornamentation was very unstable throughout. The owner was able to save most of the fragments in a small bag for us to use during treatment.

The fabrication of a custom gilded frame for an heirloom portrait by William Carqueville. This beautiful portrait from the early 1930s was painted by Chicago artist, William Carqueville (1871-1946). He studied at the Art Institute of Chicago and briefly in Paris. While he is known for his realistic paintings, he is most recognized for his lithographic illustrations. His work was published in literary magazines such as Lippencotts, International, Harper’s, Scribner’s, etc. Read more to learn more about the step-by-step process of making a custom finished corner frame for this stunning portrait.

Charles Prendergast was a renowned frame-maker at the turn of the century. This heirloom albumen print arrived at our studio for framing. We selected this 3/4″ width, Charles Prendergast-inspired frame. The two-tone 22k and 12k white gold leaf with inscribed flower blossoms at each corner provided visual interest without overwhelming the portrait. With the details of the floral design and the implementation of two different karats of gold leaf, this frame honors the vision of Prendergast by “bringing out the fine points of a good picture”.