This occurs when artwork is matted and framed using materials that are not conservation quality (acid-free). Acid burn presents as a yellow or brown discoloration on the sheet.
This original WWI Liberty Bond poster sat rolled in water for three weeks, resulting in disfiguring water damage including severe discoloration, delamination from the mount and wrinkling throughout.
The tears were mended and then the sheet was relined. Minor retouching was undertaken to further integrate pervasic staining.
When works on paper, prints, drawings, lithographs, etchings, etc are damaged from a water or fire loss; it is important to consult a conservator.
Works on paper are more resilient than most would think.
This original WWI Liberty Bond poster sat rolled in water for three weeks, resulting in disfiguring water damage including severe discoloration, delamination from the mount and wrinkling throughout.
When works on paper, prints, drawings, lithographs, etchings, etc are damaged from a water or fire loss; it is important to consult a conservator.
Works on paper are more resilient than most would think.
Charles Prendergast was a renowned frame-maker at the turn of the century. This heirloom albumen print arrived at our studio for framing. We selected this 3/4″ width, Charles Prendergast-inspired frame. The two-tone 22k and 12k white gold leaf with inscribed flower blossoms at each corner provided visual interest without overwhelming the portrait. With the details of the floral design and the implementation of two different karats of gold leaf, this frame honors the vision of Prendergast by “bringing out the fine points of a good picture”.